And that is why today, my friends, I am posting 11 alternative fonts for the modern day designer. You need to have a font that you know people will like, but not to be too mainstream. But, as a graphic designer, you definitely don’t just want to fall into the flow of things and be like everyone else. It was actually rated one of the most frequently used fonts of the 20th century and it even has it’s own documentary. Don’t get me wrong, it really is amazing. Such a wonderful, useful, and overused font. Sick of Helvetica? Here are our top 11 alternatives If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to. If you would like to reproduce text from a MoMA publication, please email. For more information about film loans and our Circulating Film and Video Library, please visit. For access to motion picture film stills for research purposes, please contact the Film Study Center at. Motion picture film stills cannot be licensed by MoMA/Scala. All requests to license archival audio or out of copyright film clips should be addressed to Scala Archives at. At this time, MoMA produced video cannot be licensed by MoMA/Scala. MoMA licenses archival audio and select out of copyright film clips from our film collection. If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations). With its simplification of forms, dynamic use of positives and negatives, and expansion across the walls, The Swimming Pool was the culmination of Matisse’s cut-paper work up to that point. Matisse saw in paper’s pliability an ideal match for the fluidity of water, making the piece a perfect synthesis of subject and means. The result was Matisse’s first and only self-contained, site-specific cut-out. Matisse cut divers, swimmers, and sea creatures out of paper painted ultramarine blue and pinned them onto the white paper. Suffering under the blazing sun, they returned home, and Matisse declared, “I will make myself my own pool.” He asked Delectorskaya to ring the walls of his dining room at the Hôtel Régina in Nice with a white paper band just above the level of his head, breaking only at window and doors at opposite ends of the room. One summer morning in 1952, Matisse told his studio assistant and secretary Lydia Delectorskaya that “he wanted to see divers,” so they went to a favorite pool in Cannes.
0 kommentar(er)
